Krylov Viktor Ivanovich. Born in Mikhaylovka village, Staro-Poltava district, Volgograd region. Soviet and Kazakh artist. In 1949 he graduated from the Academy of Arts named after N.V.Gogol (modern Almaty College of Decorative and Applied Arts named after Oral Tansykbaev), in 1955 - graduated from the Academy of Arts of the Latvian SSR, studied under I. Tilberg. Lived and worked in Karaganda since 1955. Chairman of the Karaganda organisation of the Artists Union of Kazakhstan, executive secretary of the Artists Union of Kazakhstan (1959), member of the Board of the Artists... далее

Krylov Viktor Ivanovich. Born in Mikhaylovka village, Staro-Poltava district, Volgograd region. Soviet and Kazakh artist. In 1949 he graduated from the Academy of Arts named after N.V.Gogol (modern Almaty College of Decorative and Applied Arts named after Oral Tansykbaev), in 1955 - graduated from the Academy of Arts of the Latvian SSR, studied under I. Tilberg. Lived and worked in Karaganda since 1955. Chairman of the Karaganda organisation of the Artists Union of Kazakhstan, executive secretary of the Artists Union of Kazakhstan (1959), member of the Board of the Artists Union of Kazakhstan (1962), delegate to the III Congress of Artists of the USSR. Victor Krylov's creative range is very wide: he worked practically in all types and genres of fine arts, preferring the subject-thematic picture, often telling about the history of his native land, and portrait. In his works there is practically no narrative, he is more inclined to create a generalised image of time, embodying it in the faces of the heroes of his paintings. Turning to female images, the artist becomes a lyricist, creating deeply poetic works imbued with great personal feeling. Constant occupation with monumental art (murals, mosaics, reliefs) helped him to develop his laconic expressive language in painting, where decorativeness and stylisation were organically combined with emotional intensity and historical conviction. The artist decorated and painted the interior of the Palace of Miners in Karaganda. To the images of a historical milestone in the development of the coal basin can be attributed the painting ‘Miners go to the front’. скрыть